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THE INTERMITTENT PUBLICATION

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“Toward a Horizontal Historiography of Design: Interiors as Mediated Sites of Knowledge.” AIS/Design: Storia e Ricerche 13, no. 24 (2026): 89–103.

 

Dore, Mayane, Claudia Marina, Gizem Öz, and Dora Vanette. "In- Between Spaces: Reflections on the Emerging Scholars Workshop." Design and Culture (2025) 17, no. 3 (2025): 353–373.

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"On Calling Yourself a Designer." In Feminist Designer, edited by Alison Place, 19–22. Cambridge, Massachusetts: MIT Press, 2023.

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"Making and Unmaking the Ephemeral Object: Design, Consumption, and the Importance of Everyday Life in Understanding Design beyond the Studio." Design and Culture 12, no.3 (2020): 243–263. 

 

Preface to the 2020 Edition of Wild Things: The Material Culture of Everyday Life, by Judy Attfield, xiv–xxii. London: Bloomsbury, 2020.

 

“Checking in: David Adjaye’s Sugar Hill Project, Two Years Later,” in The Avery Review 20 (December 2016)

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CREATIVE

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Series development and direction of "In the Archives," "Three Questions," and "ISLAA Documentaries" for the Institute for Studies on Latin American Art (ISLAA)'s YouTube channel.

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Some of my favorite projects I got to work on include:

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a three-part documentary of the Paraguayan artist Feliciano Centurion's life and work, as seen through the eyes of writer Devan Diaz

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interviewing Rolando Peña, Cristina Flores Pescorán, and Rosana Paulino about their art practice

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producing the exhibition guide for Threads to the South, curated by Anna Burckhardt-Pérez.

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  OTHER THINGS

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I enjoy volunteering and currently help organize the Emerging Scholars Workshop for Design & Culture. I've mentored young writers in Girls Write Now (2019–22) and was managing editor of Plot(s): Journal of Design Studies from 2018–2021. I take fiction and poetry workshops for fun.

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Sometimes I let loose on Substack.

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©2024 by Claudia Marina

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