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THE INTERMITTENT PUBLICATION

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"On Calling Yourself a Designer," in Feminist Designer, edited by Alison Place, 19–22. Cambridge, Massachusetts: MIT Press, 2023.

 

"Making and Unmaking the Ephemeral Object: Design, Consumption, and the Importance of Everyday Life in Understanding Design beyond the Studio.Design and Culture 12, no.3 (2020): 243-263. 

 

Preface to the 2020 Edition of Wild Things: The Material Culture of Everyday Life, by Judy Attfield, xiv–xxii. London: Bloomsbury, 2020.

 

Checking in: David Adjaye’s Sugar Hill Project, Two Years Later,” in The Avery Review 20 (December 2016)

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CREATIVE

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Series development and direction of "In the Archives," "Three Questions," and "ISLAA Documentaries" for the Institute for Studies on Latin American Art (ISLAA)'s YouTube channel.

Some of my favorite projects I got to work on include:

a three-part documentary of the Paraguayan artist Feliciano Centurion's life and work, as seen through the eyes of writer Devan Diaz

interviewing Rolando Peña, Cristina Flores Pescorán, and Rosana Paulino about their practice

producing the exhibition guide for Threads to the South, curated by Anna Burckhardt Perez

COMMUNITY

Working with other writers is part of my practice and I find a lot of purpose volunteering in projects that challenge norms and expand access to writing as an important critical and creative practice.  

I am a Girls Write Now mentor alum (2019–22) and help organize the Emerging Scholars Workshop for the journal Design & Culture.

 

I've also given workshops on design publishing at Parsons School of Design and was a faculty supervisor and managing editor of the student-run, peer-reviewed journal Plot(s): Journal of Design Studies from 2018–2021.

Sometimes I let loose on Substack.

©2024 by Claudia Marina

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